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Operas in German

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Publisher : Rowman & Littlefield
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ISBN : 1442247975
Pages : 1046 pages
Rating : 4.2/5 (247 Download)

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Download Free Operas in German PDF by Margaret Ross Griffel Full Book and published by Rowman & Littlefield. This book was released on 2018-01-23 with total page 1046 pages. Available in PDF, EPUB and Kindle. Book excerpt: With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.

Download North German Opera in the Age of Goethe PDF Full

North German Opera in the Age of Goethe

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Publisher : Cambridge University Press
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ISBN : 9780521260275
Pages : 464 pages
Rating : 4.0/5 (272 Download)

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Download Free North German Opera in the Age of Goethe PDF by Thomas Bauman Full Book and published by Cambridge University Press. This book was released on 1985 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first study of the development of German opera in northern Germany from the first comic operas of Johann Adam Hiller at Leipzig in 1766 to the end of the century. Intellectually and historically, the period witnessed the flowering of the German stage and German letters. German opera was an inseparable part of the new aspirations of the German stage during the Enlightenment. Thomas Bauman stresses the vital role of the mixed repertories of German companies in effecting changes in the genre. North German opera began as a basically literary genre. It then changed dramatically in response to two major trends: first, the contact with the serious elements and styles of tragedy and secondly, the triumph on German stages of Italian, French, and Viennese comic operas. The book is generously illustrated with music examples. There is also a complete catalogue of texts of North German opera: those composed for performance and unset published librettos both cross-indexed under the librettists' names.

Download Carl Maria von Weber and the Search for a German Opera PDF Full

Carl Maria von Weber and the Search for a German Opera

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Publisher : Indiana University Press
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ISBN : 0253109620
Pages : 272 pages
Rating : 4.3/5 (19 Download)

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Download Free Carl Maria von Weber and the Search for a German Opera PDF by Stephen C. Meyer Full Book and published by Indiana University Press. This book was released on 2003-01-17 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stephen C. Meyer details the intricate relationships between the operas Der FreischÃ1⁄4tz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign" opera through the 19th century. Meyer's study of Der FreischÃ1⁄4tz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the opera's stylistic and topical shifts in light of changing cultural and aesthetic circumstances. As a result, Meyer argues that the search for a new German opera was not merely an aesthetic movement, but a political and social critique as well.

Download German Opera Libretti PDF Full

German Opera Libretti

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Publisher : A&C Black
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ISBN : 9780826407399
Pages : 304 pages
Rating : 4.7/5 (39 Download)

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Download Free German Opera Libretti PDF by James Steakley Full Book and published by A&C Black. This book was released on 1995-02-01 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Foreword by Jost Hermand The libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron.

Download German Opera PDF Full

German Opera

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Publisher : Cambridge University Press
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ISBN : 0521235324
Pages : 465 pages
Rating : 4.1/5 (235 Download)

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Download Free German Opera PDF by John Warrack Full Book and published by Cambridge University Press. This book was released on 2001-04-26 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging history explores German opera from its primitive origins up to Wagner.

Download Medievalism and Nationalism in German Opera PDF Full

Medievalism and Nationalism in German Opera

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Publisher : Routledge
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ISBN : 1351806378
Pages : 186 pages
Rating : 4.1/5 (86 Download)

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Download Free Medievalism and Nationalism in German Opera PDF by Michael S. Richardson Full Book and published by Routledge. This book was released on 2020-11-29 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.

Download Operas in German PDF Full

Operas in German

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Publisher : Greenwood
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ISBN :
Pages : 735 pages
Rating : 4.0/5 (15 Download)

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Download Free Operas in German PDF by Margaret Ross Griffel Full Book and published by Greenwood. This book was released on 1990 with total page 735 pages. Available in PDF, EPUB and Kindle. Book excerpt: Griffel has prepared a valuable guide to German opera that can be used profitably by both scholars and amateur devotees of opera. The main body of the dictionary provides a discussion of about 380 operas composed to a German text. The alphabetically organized entries include information on German premieres, as well as first performances in Britain and the US, brief plot summaries, listings of major roles, and occasional historical and analytical remarks. . . . Operas in German will, no doubt, serve as one of the major reference sources for any type of research on German opera. Highly recommended. Choice Although a sizable number of opera dictionaries and encyclopedias are available, those devoted to operas in a single language are extremely rare. The present dictionary addresses itself wholly to operas written to a German text. The main body of this dictionary comprises entries on the operas themselves, permitting thorough treatment of some 350 operas. This section is augmented by an appendix of some 800 additional opera titles and annotated listings of composers and librettists. Almost all of the composers represented here were born in German-speaking countries. Among the notable exceptions is the Italian-born Ferruccio Busoni, whose operas were all written to German texts and received premieres in German-speaking cities. Composers such as Kurt Weill who wrote operas in more than one language are represented by their German works only. The operas are listed alphabetically, excluding the article, which is placed at the end of the title. Each entry includes the title, with the English translation and alternate titles in parentheses; descriptive terms as needed; the number of acts; the composer's name; the librettist's name, the original language, and the original source of the text; the date, place, and cast of the first performance; similar information for the first United States and United Kingdom performances, if applicable; a brief plot summary; the main characters with vocal ranges; citations of especially important or noteworthy numbers; additional information such as comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-German ones and/or operas involving the same story or characters. The entry also has a bibliography, a discography, and, in the few instances where they are available, information on video recordings. In addition to the aforementioned appendix, this dictionary contains an alphabetical listing of composers with their places and years of birth and death and an index of their operas included in this volume. The third appendix lists librettists and provides information similar to that in the composer appendix. The fourth and fifth appendices provide characters and performers, respectively, included in the main entries. The volume is completed by a bibliography. This first dictionary devoted exclusively to operas in German belongs in the reference section of music libraries and will also be of interest to scholars and aficionados of opera.

Download E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera PDF Full

E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera

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Publisher : BRILL
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ISBN : 9004309578
Pages : 496 pages
Rating : 4.4/5 (39 Download)

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Download Free E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera PDF by Francien Markx Full Book and published by BRILL. This book was released on 2015-11-02 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: In E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera, Francien Markx investigates Hoffmann’s writings on opera, discovering in them a number of challenges to traditional narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography.

Download Czech Opera PDF Full

Czech Opera

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Publisher : Cambridge University Press
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ISBN : 9780521347136
Pages : 376 pages
Rating : 4.7/5 (13 Download)

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Download Free Czech Opera PDF by John Tyrrell Full Book and published by Cambridge University Press. This book was released on 1988 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the grandest and most potent cultural expression of the nationalist movement which led to the establishment of the Czechoslovak Republic in 1918. During this period Czech opera developed into a genre of major artistic importance cultivated by composers of the stature of Smetana, Dvorák and Janácek. Czech Opera examines opera in its national contexts, and is a study not only of operas written in Czech, but also of the specific circumstances which shaped them. These include the historical and political background to the period, the theatres in which Czech plays and operas were first performed, and the composers and performers who worked in them. The role of the librettists is given particular prominence and is complemented by a detailed chapter on the subject matter of the librettos shedding light on the subject matter of the historical and mythic background of the genre.

Download Memoirs of the Opera in Italy, France, Germany, and England PDF Full

Memoirs of the Opera in Italy, France, Germany, and England

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Publisher :
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ISBN :
Pages : 398 pages
Rating : 4.0/5 (15 Download)

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Download Free Memoirs of the Opera in Italy, France, Germany, and England PDF by George Hogarth Full Book and published by . This book was released on 1851 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download Hints on the Italian Opera in Italy, France, Germany and England PDF Full

Hints on the Italian Opera in Italy, France, Germany and England

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Publisher :
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ISBN :
Pages : 92 pages
Rating : 4.2/5 (17 Download)

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Download Free Hints on the Italian Opera in Italy, France, Germany and England PDF by Full Book and published by . This book was released on 1839 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download Dwight's Journal of Music PDF Full

Dwight's Journal of Music

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ISBN :
Pages : 440 pages
Rating : 4.R/5 (3 Download)

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Download Free Dwight's Journal of Music PDF by Full Book and published by . This book was released on 1855 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download Opera in the Development of German Critical Thought PDF Full

Opera in the Development of German Critical Thought

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Publisher : Princeton University Press
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ISBN : 140086836X
Pages : 396 pages
Rating : 4.0/5 (868 Download)

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Download Free Opera in the Development of German Critical Thought PDF by Gloria Flaherty Full Book and published by Princeton University Press. This book was released on 2015-03-08 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most of its history, opera was related not only to the revival of ancient drama and the evolution of modern theater, but also to the development of modern critical thought. The author provides a comprehensive treatment of the writings both for and against the operatic forms that dominated seventeenth- and eighteenth-century German theater. Included in her focus are the academic critics who denounced the failure of opera to comply with universally valid standards of beauty and the rules of drama; the various sermonizers who condemned opera's excessive emphasis on the senses and preached total abstinence; and the theatrical artists and patrons as well as the innumerable poets, philosophers, and writers who upheld the freedom to experiment and defended opera as a modern theatrical form with nearly unlimited artistic possibilities. As a result of these controversies, the defense of opera helped to shape a distinctively German version of the classical ideal, enriched German criticism with new vocabulary, promoted the study of the performing arts, and emphasized music and spectacle as essential components of theater. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Download The German Popular Play ‘Atis' and the Venetian Opera PDF Full

The German Popular Play ‘Atis' and the Venetian Opera

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Publisher : Cambridge University Press
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ISBN : 1107659027
Pages : 103 pages
Rating : 4.7/5 (659 Download)

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Download Free The German Popular Play ‘Atis' and the Venetian Opera PDF by Mary Beare Full Book and published by Cambridge University Press. This book was released on 2014-06-12 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1938, this book presents an account of the conversion of Italian operas into popular plays in the German language during the period 1675-1722. The account is based around a historical study of the play Atis, inquiring into its sources and providing information on the form and stage setting of the foreign operas it resembles. Illustrative figures, textual notes and a detailed bibliography are also included. This book will be of value to anyone with an interest in German drama and its relationship with Italian operas.

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The Nation

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ISBN :
Pages : 1150 pages
Rating : 4.R/5 (3 Download)

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Download Free The Nation PDF by Full Book and published by . This book was released on 1884 with total page 1150 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download Beethoven's Opera Fidelio PDF Full

Beethoven's Opera Fidelio

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ISBN :
Pages : 36 pages
Rating : 4.R/5 (3 Download)

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Download Free Beethoven's Opera Fidelio PDF by Ludwig van Beethoven Full Book and published by . This book was released on 1892 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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The Songs of Germany

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Pages : 196 pages
Rating : 4.2/5 (1 Download)

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Download Free The Songs of Germany PDF by Full Book and published by . This book was released on 189? with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: