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Our Musicals, Ourselves

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Publisher : Brandeis University Press
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ISBN : 1611682231
Pages : 426 pages
Rating : 4.1/5 (682 Download)

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Download Free Our Musicals, Ourselves PDF by John Bush Jones Full Book and published by Brandeis University Press. This book was released on 2011-04-17 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapersÕ front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the ÒgunboatÓ musicals of the Teddy Roosevelt era and the ÒCinderella showsÓ and Òleisure time musicalsÓ of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, JonesÕs book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, JonesÕs comprehensive social history will appeal to both students and fans of Broadway.

Download Our Musicals, Ourselves PDF Full

Our Musicals, Ourselves

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Publisher :
Release Date :
ISBN : 9781611282238
Pages : 411 pages
Rating : 4.2/5 (233 Download)

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Download Free Our Musicals, Ourselves PDF by John Bush Jones Full Book and published by . This book was released on 2003 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download The Routledge History of Social Protest in Popular Music PDF Full

The Routledge History of Social Protest in Popular Music

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Publisher : Routledge
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ISBN : 1136447288
Pages : 432 pages
Rating : 4.6/5 (447 Download)

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Download Free The Routledge History of Social Protest in Popular Music PDF by Jonathan C. Friedman Full Book and published by Routledge. This book was released on 2013-07-04 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: The major objective of this collection of 28 essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses.

Download Modern American Drama: Playwriting in the 1990s PDF Full

Modern American Drama: Playwriting in the 1990s

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Publisher : Bloomsbury Publishing
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ISBN : 1350153656
Pages : 336 pages
Rating : 4.0/5 (153 Download)

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Download Free Modern American Drama: Playwriting in the 1990s PDF by Sharon Friedman Full Book and published by Bloomsbury Publishing. This book was released on 2019-11-14 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Decades of Modern American Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Tony Kushner: Angels in America: A Gay Fantasia on National Themes, Part One and Part Two (1991), Slavs! Thinking About the Longstanding Problems of Virtue and Happiness (1995) and A Dybbuk, or Between Two Worlds (1997); * Paula Vogel: Baltimore Waltz (1992), The Mineola Twins (1996) and How I Learned to Drive (1997); * Suzan-Lori Parks: The Death of the Last Black Man in the Whole Entire World (1990), The America Play (1994) and Venus (1996); * Terrence McNally: Lips Together, Teeth Apart (1991), Love! Valour! Compassion! (1997) and Corpus Christi (1998).

Download Musical Theatre, Realism and Entertainment PDF Full

Musical Theatre, Realism and Entertainment

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Publisher : Routledge
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ISBN : 1317091361
Pages : 202 pages
Rating : 4.7/5 (91 Download)

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Download Free Musical Theatre, Realism and Entertainment PDF by Millie Taylor Full Book and published by Routledge. This book was released on 2016-04-29 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is it about musical theatre that audiences find entertaining? What are the features that lead to its ability to stimulate emotional attachment, to move and to give pleasure? Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway this book explores the ways in which musical theatre reaches out to and involves its audiences. It investigates how pleasure is stimulated by vocal, musical and spectacular performances. Early discussions centre on the construction of the composed text, but then attention is given to performance and audience response. Musical theatre contains disruptions and dissonances in its multiple texts, it allows gaps for audiences to read playfully. This combines with the voluptuous sensations of embodied emotion, contagiously and viscerally shared between audience and stage, and augmented through the presence of voice and music. A number of features are discovered in the construction of musical theatre performance texts that allow them to engage the intense emotional attachment of their audiences and so achieve enormous popularity. In doing this, the book challenges the conception of musical theatre as 'only entertainment'. Entertainment instead becomes a desirable, ephemeral and playful concept.

Download The American Musical and the Performance of Personal Identity PDF Full

The American Musical and the Performance of Personal Identity

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Publisher : Princeton University Press
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ISBN : 9781400832682
Pages : 480 pages
Rating : 4.2/5 (683 Download)

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Download Free The American Musical and the Performance of Personal Identity PDF by Raymond Knapp Full Book and published by Princeton University Press. This book was released on 2010-06-21 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. Among the musicals discussed are Camelot, Candide; Chicago; Company; Evita; Gypsy; Into the Woods; Kiss Me, Kate; A Little Night Music; Man of La Mancha; Meet Me in St. Louis; The Merry Widow; Moulin Rouge; My Fair Lady; Passion; The Rocky Horror Picture Show; Singin' in the Rain; Stormy Weather; Sweeney Todd; and The Wizard of Oz. Complementing the author's earlier work, The American Musical and the Formation of National Identity, this book completes a two-volume thematic history of the genre, designed for general audiences and specialists alike.

Download The Routledge Companion to the Contemporary Musical PDF Full

The Routledge Companion to the Contemporary Musical

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Publisher : Routledge
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ISBN : 1134851855
Pages : 486 pages
Rating : 4.4/5 (851 Download)

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Download Free The Routledge Companion to the Contemporary Musical PDF by Jessica Sternfeld Full Book and published by Routledge. This book was released on 2019-09-05 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to the Contemporary Musical is dedicated to the musical’s evolving relationship to American culture in the late twentieth and early twenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the interdisciplinary field of musical theater studies. Musicals have served not only to mirror the sociopolitical, economic, and cultural tenor of the times, but have helped shape and influence it, in America and across the globe: a genre that may seem, at first glance, light-hearted and escapist serves also as a bold commentary on society. Forty-four essays examine the contemporary musical as an ever-shifting product of an ever-changing culture. This volume sheds new light on the American musical as a thriving, contemporary performing arts genre, one that could have died out in the post-Tin Pan Alley era but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway—the idea, if not the place—and thus branded as a quintessentially American entertainment.

Download Staging Rebellion in the Musical, Hair PDF Full

Staging Rebellion in the Musical, Hair

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Publisher : Taylor & Francis
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ISBN : 1000626326
Pages : 194 pages
Rating : 4.0/5 (626 Download)

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Download Free Staging Rebellion in the Musical, Hair PDF by Sarah Elisabeth Browne Full Book and published by Taylor & Francis. This book was released on 2022-08-05 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides a comprehensive survey of the musical Hair and will offer critical analysis which focuses on giving voice to those who are historically considered to be on the margins of musical theatre history. Sarah Browne interrogates key scenes from the musical which will seek to identify the relationship between performance and the cultural moment. Whilst it is widely acknowledged that Hair is a product of the sixties counter-culture, this study will place the analysis in its socio-historical context to specifically reveal American values towards race, gender, and adolescence. In arguing that Hair is a rebellion against the established normative values of both American society and the art form of the musical itself, this book will suggest ways in which Hair can be considered utopian: not only as a utopian ‘text’ but in the practices and values it embodies, and the emotions it generates in its audiences. This book will be of great interest to scholars and students of music, musical theatre, popular music, American studies, film studies, gender studies, or African American studies.

Download The Oxford Handbook of The American Musical PDF Full

The Oxford Handbook of The American Musical

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Publisher : Oxford University Press
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ISBN : 019998736X
Pages : 482 pages
Rating : 4.9/5 (987 Download)

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Download Free The Oxford Handbook of The American Musical PDF by Raymond Knapp Full Book and published by Oxford University Press. This book was released on 2013-03 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of the American Musical presents keywords and critical terms that deepen analysis and interpretation of the musical. Taking into account issues of composition, performance, and reception, the book's contributors bring a wide range of practical and theoretical perspectives to bear on their considerations of one of America's most lively, enduring artistic traditions.

Download The Oxford Handbook of the British Musical PDF Full

The Oxford Handbook of the British Musical

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Publisher : Oxford University Press
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ISBN : 0199988765
Pages : 624 pages
Rating : 4.9/5 (988 Download)

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Download Free The Oxford Handbook of the British Musical PDF by Robert Gordon Full Book and published by Oxford University Press. This book was released on 2016-11-21 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of the British Musical provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's The Beggar's Opera (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from The Boy Friend (1953) to Oliver! (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as Jesus Christ Superstar (1970) and Les Misérables (1980). There is a consideration of "jukebox" musicals such as Mamma Mia! (1999), while essays on overtly political shows such as Billy Elliot (2005) are complemented by those on experimental musicals like Jerry Springer: the Opera (2003) and London Road (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. The Oxford Handbook of the British Musical demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today.

Download Identities and Audiences in the Musical PDF Full

Identities and Audiences in the Musical

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Publisher : Oxford University Press
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ISBN : 0190877804
Pages : 176 pages
Rating : 4.0/5 (877 Download)

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Download Free Identities and Audiences in the Musical PDF by Raymond Knapp Full Book and published by Oxford University Press. This book was released on 2018-09-04 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Issues of identity have always been central to the American musical in all its guises. Who appears in musicals, who or what they are meant to represent, and how, over time, those representations have been understood and interpreted, provide the very basis for our engagement with the genre. In this third volume of the reissued Oxford Handbook of the American Musical, chapters focus on race, ethnicity, gender, and sexuality, regional vs. national identity, and the cultural and class significance of the musical itself. As important as the question of who appears in musicals are the questions of who watches and listens to them, and of how specific cultures of reception attend differently to the musical. Chapters thus address cultural codes inherent to the genre, in particular those found in traditional school theater programs.

Download Directors and the New Musical Drama PDF Full

Directors and the New Musical Drama

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Publisher : Springer
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ISBN : 0230611249
Pages : 231 pages
Rating : 4.0/5 (611 Download)

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Download Free Directors and the New Musical Drama PDF by M. Lundskaer-Nielsen Full Book and published by Springer. This book was released on 2008-04-14 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is one of the first books to offer a rigorous analysis of the enormous changes in the musical theatre during the 1980s and 90s. In addition, it focuses on the contribution of well-known, serious theatre directors to the mainstream Musical Theatre and it is the first book to offer a dual Anglo-American perspective on this subject.

Download How Sondheim Found His Sound PDF Full

How Sondheim Found His Sound

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Publisher : University of Michigan Press
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ISBN : 9780472032297
Pages : 315 pages
Rating : 4.2/5 (291 Download)

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Download Free How Sondheim Found His Sound PDF by Steve Swayne Full Book and published by University of Michigan Press. This book was released on 2007-05-08 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Steve Swayne’s How Sondheim Found His Sound is a fascinating treatment and remarkable analysis of America’s greatest playwright in song. His marvelous text goes a long way toward placing Stephen Sondheim among the towering artists of the late twentieth century!” —Cornel West, Princeton University “Sondheim’s career and music have never been so skillfully dissected, examined, and put in context. With its focus on his work as composer, this book is surprising and welcome.” —Theodore S. Chapin, President and Executive Director, The Rodgers and Hammerstein Organization “. . . an intriguing ‘biography’ of the songwriter’s style. . . . Swayne is to be congratulated for taking the study of this unique composer/lyricist into hitherto unnavigated waters.” —Stage Directions “The research is voluminous, as are the artistry and perceptiveness. Swayne has lived richly within the world of Sondheim’s music.” —Richard Crawford, author of America’s Musical Life: A History “Amid the ever-more-crowded bookshelf of writings on Sondheim, Swayne’s analysis of Sondheim’s development as a composer stands up as a unique and worthy study. . . . For the Sondheim aficionados, there are new ideas and new information, and for others, Swayne’s How Sondheim Found His Sound will provide an intriguing introduction into the mind of arguably the greatest and most influential living Broadway composer.” —talkinbroadway.com “What a fascinating book, full of insights large and small. An impressive analysis and summary of Sondheim’s many sources of inspiration. All fans of the composer and lovers of Broadway in general will treasure and frequently refer to Swayne’s work.” —Tom Riis, Joseph Negler Professor of Musicology and Director of the American Music Research Center, University of Colorado Stephen Sondheim has made it clear that he considers himself a “playwright in song.” How he arrived at this unique appellation is the subject of How Sondheim Found His Sound—an absorbing study of the multitudinous influences on Sondheim’s work. Taking Sondheim’s own comments and music as a starting point, author Steve Swayne offers a biography of the artist’s style, pulling aside the curtain on Sondheim’s creative universe to reveal the many influences—from classical music to theater to film—that have established Sondheim as one of the greatest dramatic composers of the twentieth century.

Download The Cambridge Companion to African American Theatre PDF Full

The Cambridge Companion to African American Theatre

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Publisher : Cambridge University Press
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ISBN : 1107495792
Pages : 313 pages
Rating : 4.7/5 (495 Download)

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Download Free The Cambridge Companion to African American Theatre PDF by Harvey Young Full Book and published by Cambridge University Press. This book was released on 2012-10-25 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion provides a comprehensive overview of African American theatre, from the early nineteenth century to the present day. Along the way, it chronicles the evolution of African American theatre and its engagement with the wider community, including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the 'New Negro' and 'Black Arts' movements. Leading scholars spotlight the producers, directors, playwrights and actors whose efforts helped to fashion a more accurate appearance of black life on stage, and reveal the impact of African American theatre both within the United States and further afield. Chapters also address recent theatre productions in the context of political and cultural change and ask where African American theatre is heading in the twenty-first century.

Download The Songs that Fought the War PDF Full

The Songs that Fought the War

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Publisher : UPNE
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ISBN : 9781584654438
Pages : 338 pages
Rating : 4.4/5 (43 Download)

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Download Free The Songs that Fought the War PDF by John Bush Jones Full Book and published by UPNE. This book was released on 2006 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively social history of popular wartime songs and how they helped America's home front morale.

Download The Musical PDF Full

The Musical

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Publisher : Routledge
Release Date :
ISBN : 1135848076
Pages : 336 pages
Rating : 4.5/5 (848 Download)

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Download Free The Musical PDF by William Everett Full Book and published by Routledge. This book was released on 2011-06-02 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.

Download You've Got to Have a Dream PDF Full

You've Got to Have a Dream

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Publisher : Westminster John Knox Press
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ISBN : 9780664228545
Pages : 244 pages
Rating : 4.8/5 (542 Download)

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Download Free You've Got to Have a Dream PDF by Ian C. Bradley Full Book and published by Westminster John Knox Press. This book was released on 2005-01-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arguing that the musical is the "most ubiquitous and dominant cultural icon of our age," scholar Ian Bradley unpacks the theological significance of the musical. Bradley argues that musicals provide millions of people around the world not just with entertainment but also with spiritual and theological values, a philosophy of life, and an encounter with God. In addition, he offers his thoughts on what the popularity of the musical might mean for the future of the church.